Some authors naturally use their real names. Some choose a pen name. There is a number of reasons for that. Are there advantages?Continue reading “A Pen Name? Why Bother?”
We already looked at choosing the agents according to your mutual preferences. But the internet is a cramped and wild place. Where exactly can you find reliable agents?Continue reading “Literary Agents Part 2. Where to Find Them”
Author Kristine Kathryn Rusch recently shared a must-read post about today’s state of publishing, aptly titled Trainwreck, Fall Edition.
As she explains, she tried in June to order a copy of a book she liked for her sister. However, she wouldn’t get the book until September. Understandably, her reaction was: How odd. The book had released in February, so she should have been able to get her hands on a copy quickly. But she couldn’t.
Then she remembered that the same thing had happened with a couple of other books she had ordered for her sister back in May. They were backlist for an author her sister hadn’t tried and it took six weeks for her to get the books, with the shipment getting delayed more than once.
Putting two and two together, Kristine realized the ugly truth: traditional publishing is headed for a trainwreck.
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There are hundreds of literary agencies. And thousands of literary agents. One of them can be the champion of your work. They will secure the best deals for you, guide you through the marketing process, and support you and your work until your book finds a solid place on as many bookshelves as possible. But the majority of the agents are not the right ones for you. Not because you were a bad writer. But the agents specify a lot and the literature world is very rich. You need to send your queries to people who actually work with books similar to yours. Especially if you write in a marginal genre. How do you choose whom to approach in the first place?Continue reading “Literary Agents Part 1. How to Choose Them”